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Haunted Georgetown

Ghost Town 

Review by Sean McQuaid 

It’s Thursday night at the historic Kings Playhouse in Georgetown, PEI. An ornate black podium looms above the audience as swirling wisps of fog and the faint strains of eerie music fill the dimly lit air. Eventually, the stage lighting turns blood red as a cloaked, hooded figure appears like the Ghost of Christmas Yet To Come. 

The apparition
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Stories from the Red Dirt Road

Women of Conviction

Review by Doug Gallant

If I’m driving through the country and my eyes fall on an abandoned house or a farm that has long since fallen into disarray I can’t help but wonder who might have lived there.

What kind of lives did they lead?

Was it place where people lived full, happy lives, a place where music and laughter were heard, or one where sadness dwelled and life was just a
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Myth of the Ostrich

Complex comedy

Review by Norah Pendergast

Perhaps the word ‘crisis’ should have more positive connotations, at least within a personal context. Directed by Islander, Charlotte Gowdy, Myth of the Ostrich, playfully illustrates the dysfunction caused by avoiding threatening realities. When branches of distortion are finally torn away in a painful pruning, a more fruitful existence is possible. That
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Best of The Island Fringe Festival

Dynamic Duos 

Review by Sean McQuaid 

Most years at the Island Fringe, I can narrow my favourite show down to one or two contenders by the end of the festival. This year, three shows were pretty much neck-and-neck in my affections come the end: Cardboard Countess, Half a Star and Wild Card.

All three plays have something in common beyond quality entertainment: they’re either two-handers
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Realizations

This is Her Life 

Review by Sean McQuaid 

Like some of the other shows at this year’s Island Fringe Festival, Realizations is dark, brave and quasi-autobiographical. Staged by Small Town Queer Menace Productions, this play explores issues regarding rape culture and forging one’s own sexual identity, as written by Kandace Hagen and directed by Rory Starkman. Based in part on incidents
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The Island Fringe Festival

Fringe Fried  

Review by Sean McQuaid 

Your crumbling correspondent somehow made it through the Island Fringe Festival’s newly supersized slate of ten shows in one humid, tiring-yet-fun August weekend. Limits imposed by my old nemeses time and space mean a few shows (Cardboard Countess, Half a Star, Realizations and Wild Card) are featured in expanded reviews while the rest of the
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Anne of Green Gables—The Musical™

Welcome Visitor

Review by Doug Gallant 

Anne of Green Gables returned to the stage of the Charlottetown Festival to find she is still P.E.I.’s most welcome summer visitor.

More than 50 years after the curtain first rose on an orphaned girl with red hair and freckles waiting at the train station to begin a new life with a new family in Avonlea the desire to be part of her journey has never
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Great Scot!

Full of pride

Review by Norah Pendergast 

Written, directed, choreographed by 
Sheila O’Brien

Performed by
Brad Simkulet, Miloš Simkulet, and Eric Pidgeon.

Live band
Director Peter Gallant, Christine Gallant, Max Gallant and fiddler, Gilbert Arsenault. Faculty and students of the College of Piping, Head Piper, James MacHattie, Dance Instructors, Samantha MacKay and Daniel Carr

The Story
Led
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Events Calendar

February 2019
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